Thin Lizzy, 2019

002977_1.jpg
002977_2.jpg
002977_3.jpg
002977_4.jpg
002977_5.jpg
002977_6.jpg
002977_7.jpg
002977_8.jpg
002977_9.jpg
002977_10.jpg
002977_11.jpg
002977_12.jpg
002977_13.jpg
002977_14.jpg
002977_15.jpg
002977_16.jpg
002977_17.jpg
002977_18.jpg
002977_19.jpg
002977_20.jpg
002977_21.jpg
002977_22.jpg
002977_23.jpg
002977_24.jpg
002977_25.jpg
002977_1.jpg
002977_2.jpg
002977_3.jpg
002977_4.jpg
002977_5.jpg
002977_6.jpg
002977_7.jpg
002977_8.jpg
002977_9.jpg
002977_10.jpg
002977_11.jpg
002977_12.jpg
002977_13.jpg
002977_14.jpg
002977_15.jpg
002977_16.jpg
002977_17.jpg
002977_18.jpg
002977_19.jpg
002977_20.jpg
002977_21.jpg
002977_22.jpg
002977_23.jpg
002977_24.jpg
002977_25.jpg

Thin Lizzy, 2019

$6,390.00

Jon Davenport
mixed media and polyurethane on panel board
48 x 36 inches
Signed lower right
#002977

This piece depicts a colorful collage composition portrait of Elizabeth Taylor, as Jon Davenport explores the process of deconstructing iconic imagery from the past and present. Davenport start’s out with photos of his paint-stained studio floor and collages in articles/advertising from an array of vintage magazines collected over the years; plus any other interesting stuff captured on his travels. He then transfers the images to a panel board, layering them on with gel medium, together with strokes, splashes, drips, and splats of paint. Once it's dry, another layer of gel medium is poured on to give it a melting effect. After it drys off again, another layer of paint is added to embellish a few areas and to accentuate or fade out certain aspects. And then, he finally adds a coat of polyurethane for protection and making the colors pop. This unique work is executed on a wood panel board and comes ready to be displayed with hanging wire on verso, signed by the artist lower right.

PURCHASE